Page 38 - Old School Gamer Magazine Issue #40 FREE Edition

Design of strategy or strategy of design?
A game is a game is a game. And a game by any other title would still play the same... although you might change the graphics and market it differently.
But what is a game? Many is the time my fellow game makers and I sat down to examine this question from various perspectives and states of consciousness.
Is it entertainment? Certainly. Challenge? Absolutely. Immediate gratification? Who has the patience to find out? They can be as deep as meditation or as shallow as cheap thrills!!!!
Let’s look at one specific type
of game. How about a good old fashioned one-screen actioner? You know, what we call a sub-game or mini-game today. That’s where it all started. When I sat down to create YARS’Revenge I was totally focused on the interaction of two things: feedback loops and broadcast media. The Yin and Yang of game design. A feedback loop is what a video game is. Broadcast Media
is what a particular video game becomes.
The feedback loop is the game’s essence. At a primal sensory level, a video game is a system that modulates audio-visual stimuli
in response to input signals from the player. The player receives the sights and sounds of the game and manipulates the controller
in sponse. The game receives the controller input and manipulates the sights and sounds in response. This generates the next player controller action and the feedback loop is closed.
When a particular video game program is released, it becomes
a piece of Broadcast Media,
much like the “programs” on its hosting technology, Television.
To me, writing a video game is a communications exercise in which
I encapsulate a message and put
it out to millions of people. The message is: win my game. This message is encoded in the form of gratifying audio-visual feedback
in response to preferred controller input sequences. In other words, the winning strategy particular to this game.
As a game designer, all I do is specify two things: how I want you to use the controller (strategy) and how the game will respond (payoff). When you play the game as I want you to, you get paid off in graphics and sound. It’s a contract I make with the player. They agree to hang out for as long as they like in the loop, while I provide the feedback cycle and try to make it attractive enough to keep a player looping.
So, what is a good game? A good game is one in which the successful strategy is fun to execute or the payoff is spectacular. Either one can make the whole game experience worthwhile. A great game has
both. A bad game is one in which
the successful strategy is tedious or pedantic and the payoff is anticlimactic. It’s just that simple, but a tad... abstract to be sure. How about a concrete example?
Take YARS’ Revenge. In designing the winning strategy for YARS’I had a theme in mind: colorful symphonic motion. I forced the player to make timing shots executed during fluid motion. That is the origin of the design of the Zorlon cannon (the weapon from the left side of the screen used to kill the Qotile boss). You aim the cannon by using your position on screen, and any time you fire you know you are in the crosshairs. Move or die. To make the winning shot you must be in motion.
There is a classic Hollywood formula for interesting motion: keep the viewers attention moving up, down, right, and left. Look at some of your favorite action sequences, your eye is drawn in all four directions one after the other during the scene. So, I designed the big winning shot in YARS’to require you to be moving either up or down and the missile is always chasing you, so you have action on a vertical axis. Then you fire the cannon which starts moving left to right and then the Qotile jumps out from right to left, so now you have action on a horizontal axis. If you hit
the Qotile with the cannon... bada bing, you get the first full screen explosion in the history of video games. You now have a strategy that is visually compelling because
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OLD SCHOOL GAMER MAGAZINE • ISSUE #40
WHAT’S IN A GAME?